Stepping into the light
With your roots strong and way clear
Don't go where we can't reach
Don't do what you won't teach
I'll give you conditions to thrive
Where the birds sing only for you
I'll give you conditions to thrive
Where I can melt into you
Listen and hasten along
It's the days end keeping us strong
And later when it's getting on
Won't you give me permission to die
I'll give you conditions to thrive
Where the birds sing only for you
I'll give you conditions to thrive
Where I can melt into you
I am drowning man
Since the day I was born
Mermaids swim around me
Give peace of mind
Let me back to the watery warm
Where I can rest
Atlantis my full glass
My atlantis at last
Watery star cuts through the waves
Watery star some days
There's a piano
On the ocean floor
Playing a song
I'm drinking it in
Let me back to the watery warm
Where I can rest
Atlantis my full glass
My atlantis at last
Chain of coral round my neck
The mayor of sand and kelp
Atlantis my full glass
My atlantis at last
Watery star cuts through the waves
Watery star some days
Is that the sun on the horizon
Or another deity that must be loved
I spend the day trying to hide from
Then let it slip away upon a dream
In the lee of hills
Down in the valley
She's tending to somebody else's needs
While up on high where the winds prevailing
I'm searching for a name within the breeze
If you're doubting me
See what the sun will bring
You're in my mind
At the break of day in the dead of night
You're in my mind
When I'm out in front when I fall behind
Is that the sun under her eyes
Or another day, a tear that must be run
I put at ease the the moving ocean
And let it drift away upon the breeze
If you're doubting me
See what the sun will bring
You're in my mind
At the break of day in the dead of night
You're in my mind
When I'm out in front when I fall behind
Emboldened enough to write the letter
It's like pulling teeth
Fitting words together
Don't you think it's time to start again
All seeing but blind seeking whatever
Glows from the grit
But for the other
Shines and dulls only because
This ones a glimmer in the dark
Our beautiful machine will spark
Long into the city's glowing heart
This feeling of plenty is my bones
We wore the chains
Connected creepy
Magnesia, my darling's sleepy
Even still she's glimmering
Tonight
Our beautiful machine will spark
Long into the city's glowing heart
This feeling of plenty is my bones
about
'Hauntingly Beautiful ' Janice Long, BBC.
'When I saw them, I heard traces of Mazzy Star and Low — if this was dream-pop, it had been weathered through the world-weariness of slowcore….'– Ryan Leas, Stereogum.
Slow Creature marks Perlee's first body of work. The songs dig deep into the reality of our ever-present emotional lives. Conditions to Thrive, Chain of Coral, Charlie's Song and Feelings of Plenty; connection, pain, longing and gratitude. The bones of this E.P. were recorded to tape at Analogue Catalogue studios in Newry early 2019 with renowned engineer Julie McLarnon (Lankum, The Vaselines). Perlee met Julie at a Dublin gig in 2018. She invited them to her studio and straight away it was a good fit. They recorded several tracks to tape and these releases are the fruits of that week.
Stereogum had this to say of Perlee's first single off the EP, 'Chain of Coral': 'The duo’s melody weaves in and out of focus initially, like tips of flames moving in unpredictable yet still natural arcs. The song becomes entrancing...drawing you in with one flare, one faded hook, before encouraging you to get lost in its currents. It’s a sighing, beautiful composition.' There are guest appearances on 'Chain of Coral' from A.S. Fanning on bass and O’Emperor’s Brendan Fennessy on drums. The track was mixed by A.S. Fanning in a studio in East Berlin which once served as a Stasi HQ before the wall came down.
'Charlie’s Song', the second release from the 'Slow Creature' E.P., offers a lush glimpse into the Perlee sound world. Last Spring, Perlee made a trip to London, to Urchin Studios, to work with Matt Ingram (Laura Marling, Florence and the Machine, The Staves) who has mixed this track and also features on drums. 'Charlie's Song' is the only track off the EP that came with the duo to Berlin, the rest having been written since they moved from their native home in Ireland. 'Beginning in a sort of grey afternoon reverie, 'Charlie’s Song' blooms into a chorus, Leech and O’Keeffe’s voices intertwining as they sing 'You’re in my mind/ At the break of day, in the dead of night.' Fittingly, the melody sounds like someone’s heart opening up to another person.'- Ryan Leas, Stereogum.
'Feelings of Plenty', in contrast the the rest of the tracks, was captured in a one-take live recording and is minimal in it’s production with one electric guitar and two voices and was mixed by Julie in the foothills of the Mourne mountains. Saramai recalls, “We started playing ‘Feelings of Plenty’ in the live room, just warming up really and getting our sounds. The amp was in the room and everything. Suddenly the light on the mountains turned purple and there was a certain magic glow in the room. Julie quickly set up six mics around us, kind of like a photographer. That’s the recording you hear”.
'Conditions to Thrive' is the last to be released but the first track on the EP. Like 'Chain of Coral' it was mixed by A.S. Fanning in Berlin. Matt Ingram lent his incredible drumming skills to it (as he did for 'Charlie's Song') and the overall effect is a drone led, Velvet Underground red-wine reverie, about life, love and loss.
In 2017 Cormac O’Keeffe and Saramai Leech moved to the German capital from the remote Irish countryside of Co. Meath. The fruits of gigging frequently and embedding themselves into the Berlin music scene are evidenced in their honed and unique songwriting. It also led to fruitful collaborations with Berlin artists such as A.S. Fanning. 'Though we moved to Berlin with a trove of songs, the bulk of the EP was written after we arrived in Germany. The Berlin scene has pushed us in ways we don’t even fully realise yet. There’s been a great freedom in living in such a big city. Mostly it’s the space and time to experiment and the fact that you can gig often to different audiences' says Cormac.
'Hailing from Meath but now based in Berlin, the duo fill the basement with cooing, dovetailing vocals underpinned by Saramai Leech’s lush, cinematic keyboards, and Cormac O’Keeffe’s delicate, reverb-drenched guitar. Opening with the sparse, tear-inducingly beautiful Chain Of Coral, and closing with forthcoming single Charlie’s Song, their set veers from haunted, fingerpicking wistfulness to sun-kissed dream pop redolent of Beach House and Slowdive.' – Irish Culture Berlin
'Delivering soothing and dreamy alt-pop, they turned their setting temporarily into a David Lynch movie… singer Saramai Leech’s smoky voice coupled with the band’s floaty and delicate keyboard and guitar driven melodies created a dream-like feeling – beautiful but haunting – recalling Angelo Badalamenti’s work…' – Hot Press Magazine
credits
released March 27, 2020
All songs written and performed by Perlee (Saramai leech & Cormac O' Keeffe). Recorded by Julie McLarnon at Analogue Catalogue Studios, Newry. Drums/Percussion on tracks 1,3 played and recorded by Matt Ingram at Urchin Studios, London. Drums on track 2 played and recorded by Brendan Fennessy at Big Skin HQ, Cork. Bass on track 2 and textures on tracks 1,2 by A.S. Fanning. Additional Bips and Bops on track 2 by Julie McLarnon.
Tracks 1,2 mixed by A.S. Fanning. Track 3 mixed by Matt Ingram. Track 4 mixed by Julie McLarnon. Mastered by Jason Mitchell at Loud Mastering, Somerset
Cover photograph by Mattia Stellacci & Lena Hansen.
'One of The Irish Times’ “10 best Irish albums of 2023 so far”'
‘…weave the kind of spells that are
virtually impossible to escape from. The result is an unexpected, under-ether thrill ride, equal measures woozy, wistful and wonderful.’ - The Irish Times
'One of the country’s most singular talents.’ - The Thin Air
Sweden's Catharina Jaunviksna, aka Badlands, creates gently glowing '80s-inspired pop - think of it as new wave in pastel rather than neon. Bandcamp New & Notable Mar 2, 2021